Geschichte von Venus und Tannhäuser; Eine Romantische Novelle
München: Hans von Weber, 1909. First German edition. 8vo. [16], 54, [4] pp. Vellum binding (rubbed), teg, inlaid design, very good. (28840). Limited edition: No. 184 of 246 copies. More
München: Hans von Weber, 1909. First German edition. 8vo. [16], 54, [4] pp. Vellum binding (rubbed), teg, inlaid design, very good. (28840). Limited edition: No. 184 of 246 copies. More
Edinburgh / London: Turnbull and Spears / J. M. Dent & Sons, 1927. First edition. 25 x 20 cm. 41, [4] pp. No. 197 of 300 copies. This volume has been extra-illustrated with 17 full-page highly-erotic (explicit) pencil illustrations by J. Martin Pitts. The extra illustrations are lithographed on the..... More
München: Nazaeli Press, 1993. First edition. 8vo. 31 pp. Illustrations by Aubrey Beardsley. Softcover, pictorial wraps, fine condition. (43411). Edited by William Laws. More
London: Melmoth & Co., 1904. 8vo. 16 unbound plates. Green cloth over boards, titles in gilt, very good. (77645) . Illustrations for the 1907 edition of Oscar Wilde's Salome. Plates pierced at edges, one folded, illustrations not affected. More
New York: Privately Printed, 1927. First edition. 4to. 93 pp. Illustrated. Quarter cloth on cloth boards in slipcase, very good. (15227). Illustrated by Bertram R. Elliott. Limited edition of 750 copies. More
New York: Grove Press, 1959. First printing. 12mo. 140 pp. Illustrations. Hardcover binding in clipped dustwrapper, else very good condition. (81664). More
London: Leonard Smithers, 1896. First edition. 4to. 170, [iv] pp. Illustrated. Pictorial covers, very good. (23512). More
[1893]. Original illustration by Aubrey Beardsley for "Le Morte Darthur" by Sir Thomas Malory. 'How Sir Lancelot was known by Dame Elaine.' Double page proof on India paper (24 x 38 cm), unfolded. fine condition / (96855). More
Hannover: Heinrich Böhme Verlag, 1918. First edition. Tall 8vo. 78 pp. Illustrated. Cloth, decorated, very good. (14724). Mit 16 Zeichnungen von Aubrey Beardsley. Deutsch von Paul Steegemann. More